10th(2008)
PENG Xiaolian
Audience Award, Directing Award, Supporting Actress / Torino Women Film Festival 2003
Best Actress Award / Nante Film Festival 2002
After Women¡¯s Story, Peng returns to the most straightforward representation of women¡¯s issues in Shanghai Women, a film about three rural women. As the first work in Peng¡¯s Shanghai Trilogy, Shanghai Women describes the problem that women encounter trying to secure urban (residential) space through the story of women from three generations: a grandmother, mother and a daughter, Ah-xia. Fed up with her philandering husband, the mother decides to divorce and moves with Ah-xia to grandmother¡¯s. The grandmother lives with her son, with his wedding on the horizon. Grandmother¡¯s becomes too cramped for comfort because of the larger family. To secure their place, mother accepts a reluctant marriage arranged by the grandmother, with Li, who lives with his son. Li is nitpicking, stingy, and even violent and finally the mother and Ah-xia leave the place together. The mother considers a remarriage with her ex-husband but Ah-xia encourages her mother to make their own future together and find their own place. The film reveals the realities of an urban divorced woman and her insecure life if she leaves her husband¡¯s house in a scene where mother and daughter ceaselessly wander about creek-side areas in Shanghai. (KIM Sunah)
Audience Award, Directing Award, Supporting Actress / Torino Women Film Festival 2003
Best Actress Award / Nante Film Festival 2002
After Women¡¯s Story, Peng returns to the most straightforward representation of women¡¯s issues in Shanghai Women, a film about three rural women. As the first work in Peng¡¯s Shanghai Trilogy, Shanghai Women describes the problem that women encounter trying to secure urban (residential) space through the story of women from three generations: a grandmother, mother and a daughter, Ah-xia. Fed up with her philandering husband, the mother decides to divorce and moves with Ah-xia to grandmother¡¯s. The grandmother lives with her son, with his wedding on the horizon. Grandmother¡¯s becomes too cramped for comfort because of the larger family. To secure their place, mother accepts a reluctant marriage arranged by the grandmother, with Li, who lives with his son. Li is nitpicking, stingy, and even violent and finally the mother and Ah-xia leave the place together. The mother considers a remarriage with her ex-husband but Ah-xia encourages her mother to make their own future together and find their own place. The film reveals the realities of an urban divorced woman and her insecure life if she leaves her husband¡¯s house in a scene where mother and daughter ceaselessly wander about creek-side areas in Shanghai. (KIM Sunah)
PENG XiaolianPENG Xiaolian
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