This film revolves around an exhibition named ‘The Funeral of the Deceased,’ a collection of work by painter SEO Do-i whose main focus is the resolution by sexual assault survivors to take charge of their lives and not subscribe to being victims. Weaving paintings, landscapes of the gallery, and various interview clips together, the film guides audiences into considering the issues regarding the lives of those who have experienced sexual assault. The scope of discourses range from unequal status in the court room to the limited support and approaches taken to support survivors. [HWANG Miyojo]