The voice of the filmmaker's mother, Estelle, recounts the memories of the abortion procedure she received 50 years ago. This intimate experience testifies to the risks and confusion women faced at that time. Although the Super 8 footage capturing the city's street scenery may evoke images from typical family albums, those collection of images were created by the filmmaker, instead of the memory of her mother without visual images because she covered her eyes on the way to receive the surgery. The film slides between memory, archives, and reenactments, inviting different memories. [KIM Shinjae]