25th(2023)
Opening Film (1) | Discovery (12) |
Asian Shorts (20) | I-Teens (5) |
New Currents (25) | Korean Panorama, Here & Now (19) |
Polemics: Images, Describing to Resist (16) | Queer Rainbow (6) |
SIWFF 25 Special - RE:DISCOVER (7) | Feminist Collective (0) |
Women Making Art: Shouts and Whispers (9) | PARK Nam-ok's 100th Anniversary (5) |
In Memory of YOON Jeong-hee (2) | Documentary Ock Rang (1) |
Film X Gender (2) | Barrier Free (1) |
YIM Soon-rye
From the pioneers, Park Nam-ok, and Hwang Hye-mi, to Byun Young-joo and Jang Hee-sun, the film traces Korean women filmmakers through a non-interventionist camera. The documentary encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a male-dominated and sexist industry and society.
Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim¡¯s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea.
Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70¡¯s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. [KWON Eunsun]
YIM Soon-ryeYIM Soon-rye
A director who has received widespread recognition from the media and audience for her delicate yet powerful feature films, including Waikiki Brothers (2001), Forever the Moment (2007), South Bound (2012), Whistle Blower (2014), and Little Forest (2018). She has established herself as a producer through Glory Day (2015) and Sorry, Thank you (2011).