New Zealand in the 2020s. Bunny, a woman who lives as a daily worker without a home, has almost lost her beloved children to the state because of her economical incompetence. The children were entrusted to a state-linked foster home, and Bunny’s access them is only possible in limited circumstances. In such situations, how can one distinguish between what is a crime and what is not? For instance, is it a crime for her to go back to see her daughter and son when she has already used up the opportunity? At the least, the state declares this to be illegal. Bunny puts this encounter into practice, and her crimes, which begin with a thrilling petty crime, grows out of control. Bunny’s actions, to meet her family and live together, leads to a hostage situation. What Bunny tries to fight against by crime is the whole of the national system. The film follows Bunny’s intense drama, showing the unfair reality of a woman in a position being judged as illegal rather than under the protection of the law. At the same time, the film suggests that the border between what is crime and what is not might only be something arbitrarily set by the state system. [CHOI Yiwon]