23rd(2021)
Opening Film (1) | Discovery (12) |
Asian Shorts (19) | I-Teens (4) |
New Currents (25) | The Landscape of Here in Now (5) |
Polemics (8) | Queer Rainbow (10) |
Feminist Collective: Women¡¯s Filmmaking in Asia (12) | SWAGGIN¡¯ LIKE DOONA (7) |
The 20th Anniversary of Take Care of My Cat (1) | Australian Women¡¯s Filmmaking (12) |
Film x Gender (2) | Barrier Free Screening (1) |
Special Screening (3) |
Emma SELIGMAN
Korean Premiere
fiction / judaism / funeral
¡°Shiva¡± is a traditional Jewish funeral ritual. Films often feature wedding or funeral ceremonies as events are where all the relatives gather. This film shows us that unmarried people, especially those without a proper job, not wanting to participate in these large gatherings is a universal thing.
Daniel is dragged to a funeral without even knowing whose funeral it is. There she is bombarded with questions such as whether she has a boyfriend, or what kind of career she is planning to get. Her mother is busy introducing her to all the people hoping it might help get her a job, and her father is so flustered as he lost some belongings. When Daniel reluctantly talked with the relatives with a mirthless smile, she encounters her ex Maya and her sugar daddy Max. She struggles to hide from them in different rooms, but Maya finds Daniel¡¯s cellphone and finds out that Daniel is dating people for money, and Max¡¯s wife Kim is about to figure out her husband¡¯s relationship.
The tight framings inside the set of a house, constant cry of a baby, and sharp string Jewish folk music evoke an almost claustrophobic atmosphere. This anxiety, however, makes the audience anticipate her escape from this space. Based on the filmmaker¡¯s own experience, this film exquisitely captures the younger generation¡¯s desire and restlessness in a refined flow. [JUNG Minhwa]
Emma SELIGMANEmma SELIGMAN