23rd(2021)
Opening Film (1) | Discovery (12) |
Asian Shorts (19) | I-Teens (4) |
New Currents (25) | The Landscape of Here in Now (5) |
Polemics (8) | Queer Rainbow (10) |
Feminist Collective: Women¡¯s Filmmaking in Asia (12) | SWAGGIN¡¯ LIKE DOONA (7) |
The 20th Anniversary of Take Care of My Cat (1) | Australian Women¡¯s Filmmaking (12) |
Film x Gender (2) | Barrier Free Screening (1) |
Special Screening (3) |
ROH Young-mee
animation / experimental / October 21 / collection
Ursula K. Le Guin, Elliott Smith, the Battle of Cheongsan-ri, and the collapse of the Seongsu Bridge... People and events that seem irrelevant to each other are weaved like the warp and become a story of a man and a woman. It seems like listening to an old fairy tale passed down from mouth to mouth for a long time or reading online fake news mixed with a mix of truth and likes. However, a twisted narrative of a romantic happy ending or (male-oriented) life stories of great men makes 1021 reinterpret existing narrative structures from a gender perspective. [KIM Hye-jung]
ROH Young-meeROH Young-mee
After acquiring B.F.A. at School of Art Institute of Chicago, Roh studied animation at Korean Academy of Film Arts. Since 2012, Roh has been working on various media such as graphic novels, paintings and installations. Now Roh is focusing on experimental animation.