17th(2015)
CHO Hye-jeong
Program Note
Whiling watching The emotional society on stage, audience see actresses and actors, one after another, pose without movement in uncomfortable positions. They are in costumes which audience can associate with specific jobs most of which fall into the service sector. The voice over accompanied is from the real workers who are involved with these \"emotionallabor\" based jobs. The heavy suffering of the emotional labor is transmitted by the physical torture to the audience and is amplified with sighs and stumbles of the actresses/actors after the director\'s cut shouting. [HWANG Miyojo]
Program Note
Whiling watching The emotional society on stage, audience see actresses and actors, one after another, pose without movement in uncomfortable positions. They are in costumes which audience can associate with specific jobs most of which fall into the service sector. The voice over accompanied is from the real workers who are involved with these \"emotionallabor\" based jobs. The heavy suffering of the emotional labor is transmitted by the physical torture to the audience and is amplified with sighs and stumbles of the actresses/actors after the director\'s cut shouting. [HWANG Miyojo]
CHO Hye-jeongCHO Hye-jeong
After graduating from Seoul National University with master\'s degree of fine arts, she majored in Print Media at School of the Art Institute of Chicago.