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ARCHIVE

15th(2013)



A Girl in the Apple Farm

YOKOHAMA Satoko

  • Japan
  • 2013
  • 43min
  • HD
  • color
  • µå¶ó¸¶

SYNOPSIS

Synopsis
There is an apple farming family who lives at the foot of Mt. Iwaki. A few days before Rinko¡¯s 15th birthday, Tamao (the father), brought a ¡°horse with a ribbon¡± as a birthday present. Tamao¡¯s customary selfish behavior adds up to the already heavy burdened Mayumi. A long time after Rinko ran away from home, she came back begging for money.


 

Program Note
Following the introduction of YOKOHAMA Satoko¡¯s short films at the same section last year, this year she presents her latest film featuring her original energetic female character, strong images, and narrative development that exceeds the audience¡¯s expectations. In terms of delivering a message of regeneration, the film could be categorized as a so-called post 3.11 film, but it differentiates itself by attempting to find a different methodology in which people are neither united through a natural disaster nor loaded with hope. In other words, this film emphasizes individuality that is distinguished by locality, gender, generation, and language, but, in order to escape from the trap of egocentric introversion, it doesn¡¯t block off such relationships that could be seen as restraints or bonds. [LEE Yum

PROGRAM NOTE

Synopsis
There is an apple farming family who lives at the foot of Mt. Iwaki. A few days before Rinko¡¯s 15th birthday, Tamao (the father), brought a ¡°horse with a ribbon¡± as a birthday present. Tamao¡¯s customary selfish behavior adds up to the already heavy burdened Mayumi. A long time after Rinko ran away from home, she came back begging for money.


 

Program Note
Following the introduction of YOKOHAMA Satoko¡¯s short films at the same section last year, this year she presents her latest film featuring her original energetic female character, strong images, and narrative development that exceeds the audience¡¯s expectations. In terms of delivering a message of regeneration, the film could be categorized as a so-called post 3.11 film, but it differentiates itself by attempting to find a different methodology in which people are neither united through a natural disaster nor loaded with hope. In other words, this film emphasizes individuality that is distinguished by locality, gender, generation, and language, but, in order to escape from the trap of egocentric introversion, it doesn¡¯t block off such relationships that could be seen as restraints or bonds. [LEE Yum

Director

  • YOKOHAMA SatokoYOKOHAMA Satoko

    Born in Aomori, Japan in 1978. Her graduation film Chiemi and Kokkunpacho received the Best Prize from CO2. With the grant from CO2, she directed her first feature film German+Rain(2006), which won CO2 Cineast Osaka Mayor¡¯s Award and the New Directors Award from the Directors Guild of Japan. Her directorial commercial debut film was Bare Essence of Life (2009), which is selected as one of the 10 best films of the year by the magazine Kinama Junbo. Her latest work, A Girl in the Apple Farm(2013) is projected by Hirosaki City, Japan.

Credit

  • ProducerTOIKAWA Shinichi, HIROSAKI CITY
  • Cast Toki (from Ringo musume), NAGASE Masatoshi, KUDO Yu
  • Screenwriter YOKOHAMA Satoko
  • Cinematography HIRANO Shingo
  • Sound HWANG Young-chang