13th(2011)
PARK Jee-youn
When a woman who somewhat looks like Modigliani¡¯s women enters the house, a man who somewhat looks like men in the paintings of Magritte is in the refrigerator. The guy is a man with a burning desire and she is a woman who gets emotionally dry like a desert. The two imbalanced souls, which are looking at different directions, exist together in the same space like see-sawing precariously.
When a woman who somewhat looks like Modigliani¡¯s women enters the house, a man who somewhat looks like men in the paintings of Magritte is in the refrigerator. The man seems to be back from the trip looking for another woman and the woman appears to feel compassion rather than anger toward him. The guy is a man with a burning desire and she is a woman who gets emotionally dry like a desert. The two imbalanced souls, which are looking at different directions, exist together in the same space like see-sawing precariously. Delicate, elegant touches of the director, which find extraordinary emotions and rhythms in ordinary circumstances, are still alive here. (NAM Da-eun)
Synopsis
When a woman who somewhat looks like Modigliani¡¯s women enters the house, a man who somewhat looks like men in the paintings of Magritte is in the refrigerator. The guy is a man with a burning desire and she is a woman who gets emotionally dry like a desert. The two imbalanced souls, which are looking at different directions, exist together in the same space like see-sawing precariously.
Program Note
When a woman who somewhat looks like Modigliani¡¯s women enters the house, a man who somewhat looks like men in the paintings of Magritte is in the refrigerator. The man seems to be back from the trip looking for another woman and the woman appears to feel compassion rather than anger toward him. The guy is a man with a burning desire and she is a woman who gets emotionally dry like a desert. The two imbalanced souls, which are looking at different directions, exist together in the same space like see-sawing precariously. Delicate, elegant touches of the director, which find extraordinary emotions and rhythms in ordinary circumstances, are still alive here. (NAM Da-eun)
PARK Jee-younPARK Jee-youn
She made coming of age fantasy animation Instant Memory in 2005. This work has been selected for the final selection for SPP (SICAF Promotion Plan) Project Competition at Seoul International Cartoon and Animation Festival and invited panorama section of Indie Space Open Festival. Her most recent work is The Satellite Girl and Milk Cow (2013).