SYNOPSIS
A young lesbian, Marina breaks up with her lover, and more acutely than ever, starts to question everything surrounding her life. What on earth are the definitions of what a lesbian is and how does she label herself as lesbian? How do sexual fantasies operate and do heterosexual norms not intervene in the homosexual? These questions and concerns are linked with another. The questions are expanded by an encounter with her neighbors who Marina comes across traversing London on a bicycle.
Director Lisa Gornick, playing a role of Marina herself, includes very serious and intellectual concerns but expresses it with her characteristic humorous sensibility, buoyantly and lightly, like the Jazz tracks in the film. Shot with a digital video camera, this low-budget film, Do I Love You? has the camera technique emphasizing its mobility and improvisation and the continuous subjective narrations, which effectively convey the character of the film, a kind of autobiographical writing. (Kwon Eun-sun)
PROGRAM NOTE
A young lesbian, Marina breaks up with her lover, and more acutely than ever, starts to question everything surrounding her life. What on earth are the definitions of what a lesbian is and how does she label herself as lesbian? How do sexual fantasies operate and do heterosexual norms not intervene in the homosexual? These questions and concerns are linked with another. The questions are expanded by an encounter with her neighbors who Marina comes across traversing London on a bicycle.
Director Lisa Gornick, playing a role of Marina herself, includes very serious and intellectual concerns but expresses it with her characteristic humorous sensibility, buoyantly and lightly, like the Jazz tracks in the film. Shot with a digital video camera, this low-budget film, Do I Love You? has the camera technique emphasizing its mobility and improvisation and the continuous subjective narrations, which effectively convey the character of the film, a kind of autobiographical writing. (Kwon Eun-sun)