SYNOPSIS
Confession of an Actress is a melodrama of Kim Jin-kyu, an ex-film icon and a father who tries to make his abandoned daughter a ¡®silver screen star¡¯ to his death. Very unusually, stars of the film use their real names for the characters. With setups of Chungmuro, the biggest film venue ever in Korea, the film has self-reflective aspect of film production by frequently showing scenes from film productions. This modernist perspective and form are peculiarly mixed with pathos of paternal love and narrational conventionality.
In showing a woman who becomes a ¡®silver legend¡¯ from a waitress in an old, shabby restaurant with help of father, Confession of an Actress reveals social embodiment of an ¡®actress¡¯. Interestingly, the process of making actress is done in ¡®discourses on actress¡¯, addressed by male director, of male producer and most importantly of her father (and her predecessor as well). A speedy montage sequence of Jung-im who is reborn as an actress based on father¡¯s narration of reading his letter shows power of discourse as social disciplines and its gendered politics. (Kwon Eun-sun)
PROGRAM NOTE
Confession of an Actress is a melodrama of Kim Jin-kyu, an ex-film icon and a father who tries to make his abandoned daughter a ¡®silver screen star¡¯ to his death. Very unusually, stars of the film use their real names for the characters. With setups of Chungmuro, the biggest film venue ever in Korea, the film has self-reflective aspect of film production by frequently showing scenes from film productions. This modernist perspective and form are peculiarly mixed with pathos of paternal love and narrational conventionality.
In showing a woman who becomes a ¡®silver legend¡¯ from a waitress in an old, shabby restaurant with help of father, Confession of an Actress reveals social embodiment of an ¡®actress¡¯. Interestingly, the process of making actress is done in ¡®discourses on actress¡¯, addressed by male director, of male producer and most importantly of her father (and her predecessor as well). A speedy montage sequence of Jung-im who is reborn as an actress based on father¡¯s narration of reading his letter shows power of discourse as social disciplines and its gendered politics. (Kwon Eun-sun)