SYNOPSIS
Won-sang is finishing his master¡¯s thesis in literature. He¡¯s planning to go to England to study, and afterwards return to an academic job. But his jealousy and curiosity about a man called Yoon-shik, complicates his life. Won-sang finds out that his girlfriend dumped him because she had an affair with Yoon-shik, a middle-aged magazine editor. Won-sang takes a job at the same publication, and starts to watch him closely.
In Won-sang¡¯s eyes, Yoon-shik is the person who can get anything he wants. Yoon-shik possesses a solid and confident ego, stemming from a position of power. Isn¡¯t this what Won-sang craves for his own future? Yoon-shik relates to Won-sang as a demanding but captivating father-figure, and the question becomes whether or not this ¡®son¡¯ will make the decision to follow standard patriarchal authority.
Jealousy Is My Middle Name explores sometimes violent, sometimes shabby, relations among people through a young man in emotional chaos. The director¡¯s stand, which doesn¡¯t allow sympathy or sentimentality toward any character, offers the audience time for reflection on the nature of desire and the lack thereof. (Nam In-young)
PROGRAM NOTE
Won-sang is finishing his master¡¯s thesis in literature. He¡¯s planning to go to England to study, and afterwards return to an academic job. But his jealousy and curiosity about a man called Yoon-shik, complicates his life. Won-sang finds out that his girlfriend dumped him because she had an affair with Yoon-shik, a middle-aged magazine editor. Won-sang takes a job at the same publication, and starts to watch him closely.
In Won-sang¡¯s eyes, Yoon-shik is the person who can get anything he wants. Yoon-shik possesses a solid and confident ego, stemming from a position of power. Isn¡¯t this what Won-sang craves for his own future? Yoon-shik relates to Won-sang as a demanding but captivating father-figure, and the question becomes whether or not this ¡®son¡¯ will make the decision to follow standard patriarchal authority.
Jealousy Is My Middle Name explores sometimes violent, sometimes shabby, relations among people through a young man in emotional chaos. The director¡¯s stand, which doesn¡¯t allow sympathy or sentimentality toward any character, offers the audience time for reflection on the nature of desire and the lack thereof. (Nam In-young)