KIM Taeyang, SOHN Koo-yong, LEE Mi-rang, LEE Jongsu
Park Nam-ok¡¯s final work, The Widow (1955), guides us toward a site of (im)possibility. This single film left behind by the director serves as a cornerstone for reestablishing the lineage of Korean women filmmakers. Through one female director, we rediscover a new potential within Korean film history. Yet The Widow, a film that has reached us with its ending lost, also presents us with the impossibility of a complete reading. In other words, while Park Nam-ok and her film The Widow unlocked a long-sealed door as Korea¡¯s first woman film director, we who have stepped through that door still find ourselves lingering in unfamiliar territory. Kim Taeyang, Sohn Koo-yong, Lee Mi Rang, and Lee Jongsu—the four directors participating in this project—attempt to imaginatively restore the missing ending of The Widow or explore its production process through fictional reimaginings. In some cases, they intercut scenes from existing films with The Widow, narrowing the temporal and cinematic distance between two fictions. In doing so, they have engaged in a speculative joining of their own work with that of a director from a previous century.
Kim Taeyang was born in 1988 and studied film at Konkuk University. actors (2015) won the DMC Konet Best Film Award at the DMC Short Film Festival. Snail (2020) received a Special Mention at the Busan Intl. Short Film Festival, Best Director at the Cheongju Intl. Short Film Festival, and the Excellence Award at the Daegu Independent Short Film Festival. Seoul Cinema (2022) won the Audience Award at the Seoul Independent Film Festival.
Sohn Koo-yong studied media and communication at Hankuk University of Foreign Studies and film at the School of the Art Institute of Chicago. His films A Walk (2017), Winter in Seoul (2018), Afternoon Landscape (2020), and Night Walk (2023) were invited to festivals including the IFFR, Yamagata Intl. Documentary Film Festival, Visions du Réel, and Taiwan Intl. Documentary Festival. Night Walk (2023) won the Documentary Award at the 24th JEONJU IFF.
Lee Mi Rang studied creative writing and film at the Seoul Institute of the Arts and Yonsei University Graduate School of Communication & Arts. She worked as script supervisor on Poetry (Lee Chang-dong, 2010) and A Quiet Dream (Zhang Lu, 2016). She directed the short films Getting Married to a Vietnamese Girl (2005), The Bath (2007), and Chunjung (2013), as well as the feature film Concerning My Daughter (2023).
Lee Jongsu was born in 1990 and studied contemporary art at university. His feature debut, Heritage (2023), was selected for the New Currents section of the 28th Busan IFF.