My journey in filmmaking began with creating propaganda films for a nonprofit organization, where I often witnessed individuals suppress their personal narratives to conform to the organization’s "salvation myth." A turning point for me was the viral documentary KONY 2012, which raised $30 million and prompted me to question its true impact on the children involved. My first feature, One Woman One Bra, explores the tensions of personal ambition, cultural reclamation, and ethical dilemmas. I am grateful for the support of the Venice Biennale College, which allowed me to tell the story of a woman fighting for recognition despite lacking family, husband, or children. It raises the question of a woman's identity when she is not a mother, daughter, or wife. What began as a political commentary evolved into a feminist narrative. I met Amos Leuka through my casting director. He not only welcomed me to film in his village of Nkosesia, Loita, but also gathered women from a traveling community theater to audition. We found our location, core cast, and community in one weekend after months of searching. My producer, production designer, cinematographer, and I shuttled between Nairobi and Loita for several weeks in preparation for production. Ultimately, we assembled a diverse cast and crew, with 70% hailing from Nkosesia, for which I am immensely thankful. I am excited for audiences to experience this film, crafted by an incredibly talented cast and crew. Viewers will embark on a journey with a woman battling for her home and identity while immersed in the vibrant sights and sounds of a village nestled on the Kenyan border with Tanzania.