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Yongjugol

HONG Jeeyeon

  • South Korea
  • 2026
  • 77min
  • 15 +
  • DCP
  • color

World Premiere

Synopsis

The film begins with a belief: prostitution should disappear. It then turns to Yongjugol, a red-light district in Paju, where the closure of the area has sparked protests. Who are the people opposing its closure?
Beyond familiar images of "crime scenes" and "brainwashed victims," Yongjugol is home to many different lives. Sex workers, activists, queer people, people living with mental illness, and other marginalized communities gather to declare that "life cannot be shut down."
Even as they chant the same slogan, they remain strangers to one another. They resist easy definitions, and so do the relationships they form. As connections emerge, they develop their own strategies for protecting their lives from their respective positions. Their struggle invites us to reconsider the realities behind policies that seek to close red-light districts in the name of "women's rights."

Director's Statement

I had always believed that prostitution should disappear. But when the city of Paju announced the closure of the Yongjugol red-light district as a measure for "women's human rights," I found myself instead facing people who opposed it and kept up their rallies. Just who is this closure for?

Following that question, I began to meet the various people entangled with Yongjugol. I met the merchants, the business owners, and the women sex workers who work there. In this place, which had been reduced to phrases like "crime scene" and "brainwashed victims," there are concrete faces and relationships—people carrying on their lives each in their own way. The stories of those who live in this space from different positions gradually began to unsettle the ideas I had taken for granted.

In that process, I came to join their struggle and stepped into the current of guarding the site together. Gathered under the slogan "Life cannot be shut down," the sex workers, queer people, activists, and others—each in a different position—kept an unfamiliar distance, not fully understanding one another, but before long they grew curious about one another, and their lives gradually began to overlap. The strategies for defending their lives, too, took shape within these relationships.

Yongjugol follows this chain, documenting the closure carried out in the name of "women's human rights" and the living sites that resist it. Along the way, it casts light on the questions that lie behind the policy.​

schedule

Code Time Theater Grade
Yongjugol044 2026-08-22 | 15:40 - 16:57 MEGABOX Sinchon 6 GV
Yongjugol102 2026-08-25 | 14:00 - 15:17 MEGABOX Sinchon 4

Director

  • HONG Jeeyeon

    Born in 1996, Hong Jeeyeon studied fine arts at university. She continues to make documentaries rooted in sites of social activism and is interested in documenting social relations surrounding labor and gender. In 2024, Yongjugol​ received the SIWFF Award at the 26th Seoul International Women¡¯s Film Festival¡¯s Pitch & Catch. Yongjugol is her feature directorial debut.

Credit

  • ProducerÈ«Áö¿¬ HONG Jeeyeon
  • Cast º°ÀÌ, ¿©¸§, ¿ëÁÖ°ñ ¼º³ëµ¿ÀÚ, ¿ëÁÖ°ñ ¼º³ëµ¿ÀÚ¿Í ¿¬´ëÇÏ´Â ½Ã¹Î¸ðÀÓ Byeolli, YeoReum, Sex Worker in Yongjugol, Citizens' Solidarity with Yongjugol Sex Workers
  • Screenwriter È«Áö¿¬, ¹Ú³ªÇý HONG Jeeyeon, PARK Nahye
  • Cinematographer È«Áö¿¬, ±èº¸¶ó HONG Jeeyeon, KIM Bora
  • Editor È«Áö¿¬ HONG Jeeyeon
  • Sound ¼ÛÁö¼­ SONG Jiseo