Most of the scenes in the film are based on what I experienced and what happened to me. I was fifteen at that time, and I became sixteen when the war ended. Witnessing protests, watching the news, being part of all the discussions at home, leaving the country, it’s all based on my life. I wanted to talk about the threat and the need to leave when you really love your country. All these topics are important to me, and through the help of my co-writer Nicole Borgeat, we managed to intertwine these moments. When you’re making a film about small countries like Kosova, there’s always a temptation to explain because it’s complicated. There are two nations, two languages, nobody can tell the difference between them, and not many people know what really happened. They just know there was a war. In this sense, we tried to focus on Dua and to tell that journey through her.